GRIME’S STAYING POWER HAS BEEN LONG ESTABLISHED. IT’S ALWAYS SURPRISED PEOPLE, AND I’VE NEVER UNDERSTOOD WHY.

AS IT MAKES ITS 10000TH RESURGENCE, TRACKS LIKE THIS FROM PAUL STEPHAN, BEXBLU AND AWAITING KVNG ARE REMINDERS OF WHY IT WILL MAKE 10000000’S MORE RESURGENCES FOR THE REST OF TIME.

THIS PRODUCTION AND FLOW POCKET, STACCATO SOUL SAMPLES, COMIC BOOK PANEL SIZED LYRICISM AND WITTICISM. THIS IS THE MOST ESSENTIAL EXPRESSION OF THE CULTURE. FLOWS, BEATS AND POCKETS LIKE THESE ARE MORE HISTORICALLY SIGNIFICANT THAN THE LIKES OF NELSON’S COLUMN.

THE AMOUNT OF LIVES AND LIFETIMES WRAPPED INTO THESE BPM’S ARE VAST. GRIME IS NOT NOSTALGIC. IT WAS ALWAYS A SOUND OF THE FUTURE POPPING INTO THE PRESENT. GRIME IS AFROFUTURISM. WE’LL ALWAYS KEEP TRYING TO CATCH UP TO IT. AND THAT’S WHY GRIME WILL BE REBORN FOREVER AND EVER.

IT’S ALWAYS BEEN THE PROPERTY OF THE FUTURE.